| Amoroso (a slight variation) | |
| a ballo for two | |
| Source: AW Smith (2 mms) | |
| Music: various | |
| Starting position: side by side, holding hands | |
| Section 1: | |
| 1-12 | 12 pive, beginning left; drop hands |
| Section 2: | |
| 13 | The man leaves his partner with 2 sempi, left and right, |
| 14 | 1 piva, left, |
| 15&16 | and 3 sempi, right, left, right (resting for the balance of the 16th measure if it is a whole measure) |
| 17-20 | The woman catches up with the same set of steps: 2 sempi, a piva, and 3 sempi, starting left |
| Section 3: | |
| 21-23 | The man leaves his partner again, this time with 3 pive, left, right, left, |
| 24 | and 1 sempio, left (resting for the balance of the measure if it is a whole measure) |
| 25-28 | The woman catches up with the same set of steps: 3 pive and a sempi |
| Section 4: | |
| 29&30 | The man leaves his partner again with 2 sempi, left and right, and 1 piva, left, |
| 31&32 | and continues with 3 sempi, right, left, right, with a mezavolta at the end to face his partner |
| 33 | They both riverentia (the man low to the ground) |
| 34-36 | The man circles without getting any closer to his partner for 3 pive, left, right, left, |
| 37 | and a final sempio, right (resting for the balance of the measure if it is a whole measure) |
| 38&39 | The woman goes toward the man with 2 sempi, left and right, and a piva, left, |
| 40&41 | and continues for 3 sempi, right, left, right, with a mezavolta at the end to face her partner |
| 42 | They both riverentia (the man low to the ground) |
| 43&44 | The woman approaches her partner with 2 pive, left and right |
| 45&46 | They both approach each other with a piva, left, and a sempio, right, ending up next to each other. |
| If the dance repeats, the woman leads the second time through. | |