32: The Fryer, and the Nunne
	for as many as you please, longways
	mms pages 65 and 66
	Playford version: none
Music:	St Cecilia, Volume 1; Country Dances by the Broadside Band
	"One Misty Moisty Morning" - Parcel of Rogues by Steeleye Span; Lads & Lasses by the City Waites
Intro Figure, Part A
1:	Lead forward [a double]
2:	Fall back [a double]
3-4:	That again
Intro Figure, Part B
1:	Everyone set (step left, step right) to their partner, advancing as they do
2:	Fall back [a double]
3-4:	Turn your partner all the way around, everyone face forward
Intro Figure, Part C (the music starts over)
1:	Men lead up [a double]
2:	Men turn single
3:	Women lead up [a double] ("as high as they")
4:	Women turn single
Intro Figure, Part D
1:	Everyone set (step left, step right) to their partner, advancing as they do
2:	Fall back [a double]
3-4:	Turn your partner all the way around, everyone face forward
Intro Figure, Part E (the music starts over)
1:	Men lead down [a double]
2:	Men turn single
3:	Women lead down [a double]
4:	Women turn single
Intro Figure, Part F
1:	Everyone set (step left, step right) to their partner, advancing as they do
2:	Fall back [a double]
3-4:	Turn your partner all the way around, everyone face forward
Figure 1(?), Part A
1:	Man 1 and man 2 fall back (from their partner) [a double]
2:	Man 1 and man 2 turn single
3:	Woman 1 and woman 2 fall back [a double]
4:	Woman 1 and woman 2 turn single
Figure 1(?), Part B
1-2:	Men change places with the women [in two doubles]
3:	Man 1 and man 2, woman 1 and woman 2, change places along the set [in a double]
4:	Menand women change places back to their side of the set [in one double]
[And so on:]
	The description of this dance (and all dances) ends here, but we can assume from the Playford version that the progressive part continues on until everyone is back in place.
Comparison to the Playford version (1st to 18th editions)
	Part of the intro figure (a very small part, as it turns out) matches exactly with the Playford version, and as far as we can tell, the first progressive figure also matches exactly.  We don't know whether there is another figure (there are certainly enough cases in this mms of abbreviated dances), but from what we can see, these are identical.
Conclusion:
	The super-extended intro figure, with the "set, and fall backe, turn your partner around" coda to each individual section, is a strange attenuation of the much simpler and more direct Playford version.  There is no such stretching of the actual progressive figure, which makes me wonder why there was such an emphasis on the actions in the introduction.
	But extended or not, it is an interesting addition to the dance (not to mention making the dance actually viable despite its abrupt ending).  It would also seem to be an explicit definition of an alternative to setting and turning - setting and falling back.  I take the instruction to work as I've written above because of the structure of the music, though I could be wrong.
	I wonder, though, whether there are other instances of the same in the preceeding dances.