10: The Goddisses
	longways for 10 or more
	mms pages 14 to 16
	Playford version: version 1, from 1st edition to 16th edition.
Music:	Track 12 of Shepheards Holyday by Wandering Hands, among others
Part 1
Verse 1, Part A
1:	Lead up [a double]
2:	[Fall back a double]
Verse 1, Part B
1:	Lead up [a double]
2:	[Fall back a double]
Chorus 1, Part A
1-2:	First couple cast off, the rest following, to invert the line
Chorus 1, Part B
1-2:	First couple cast off (from the bottom), the rest following, to re-vert the line
Part 2
Verse 2, Part A
1-2:	The first man leads the rest around the women, no farther than the last woman
Verse 2, Part B
1-2:	The men go back to their places
Chorus 2, Part A
1-2:	First couple cast off, the rest following, to invert the line
Chorus 2, Part B
1-2:	First couple cast off (from the bottom), the rest following, to re-vert the line
Part 3
Verse 3, Part A
1-2:	The first woman leads the rest around the men, no farther than the last man
Verse 3, Part B
1-2:	The women go back to their places
Chorus 3, Part A
1-2:	First couple cast off, the rest following, to invert the line
Chorus 3, Part B
1-2:	First couple cast off (from the bottom), the rest following, to re-vert the line
Part 4
Verse 4, Part A
1-2:	The first man leads the rest around the women, and when they reach halfway, they "make a little stand"
Verse 4, Part B
1-2:	Then the men continue in the same direction to finish circling the women and return to their own places
Chorus 4, Part A
1-2:	First couple cast off, the rest following, to invert the line
Chorus 4, Part B
1-2:	First couple cast off (from the bottom), the rest following, to re-vert the line
Part 5
Verse 5, Part A
1-2:	The first woman leads the rest around the men, and when they reach halfway, they "make a little stand"
Verse 5, Part B
1-2:	Then the women continue in the same direction to finish circling the men and return to their own places
Chorus 5, Part A
1-2:	First couple cast off, the rest following, to invert the line
Chorus 5, Part B
1-2:	First couple cast off (from the bottom), the rest following, to re-vert the line
Part 6
Verse 6, Parts A and B
1-4:	The men do a hey "backwards and forwards" until they return to their places
Chorus 6, Part A
1-2:	First couple cast off, the rest following, to invert the line
Chorus 6, Part B
1-2:	First couple cast off (from the bottom), the rest following, to re-vert the line
Part 7
Verse 7, Parts A and B
1-4:	The women do a hey "backwards and forwards" until they return to their places
Chorus 7, Part A
1-2:	First couple cast off, the rest following, to invert the line
Chorus 7, Part B
1-2:	First couple cast off (from the bottom), the rest following, to re-vert the line
Part 8
Verse 8, Parts A and B
1-4:	The men take hands in a circle and go around [two doubles] and back again [two doubles]
Chorus 8, Part A
1-2:	First couple cast off, the rest following, to invert the line
Chorus 8, Part B
1-2:	First couple cast off (from the bottom), the rest following, to re-vert the line
Part 9
Verse 9, Parts A and B
1-4:	The women take hands in a circle and go around [two doubles] and back again [two doubles]
Chorus 9, Part A
1-2:	First couple cast off, the rest following, to invert the line
Chorus 9, Part B
1-2:	First couple cast off (from the bottom), the rest following, to re-vert the line
Part 10
Verse 10, Parts A and B
1-4:	The men take hands backwards in a circle and go around [two doubles] and back again [two doubles]
Chorus 10, Part A
1-2:	First couple cast off, the rest following, to invert the line
Chorus 10, Part B
1-2:	First couple cast off (from the bottom), the rest following, to re-vert the line
Part 11
Verse 11, Parts A and B
1-4:	The women take hands backwards in a circle and go around [two doubles] and back again [two doubles]
Chorus 11, Part A
1-2:	First couple cast off, the rest following, to invert the line
Chorus 11, Part B
1-2:	First couple cast off (from the bottom), the rest following, to re-vert the line
Comparison to the Playford version (Goddesses, version 1, 1st to 16th editions)
	The only differences between this dance and the Playford version are very minor:  leading instead of holding hands as you arc and then circle in parts 2-5; the lack of a "double hey" and an "all circle" figure, the latter replaces by each half of the set doing a backwards circle.
Conclusion:
	Exactly the same dance with only the minorest of variations - it even ends up with the same number of repeats despite missing 2 of the Playford figures.