1: Moll Peatlye
	longways for only (?) [8?]
	mms pages 3 and 4
	Playford version: from 4th edition to 10th edition.
Music:	Track 34 of Playing with Fire by the Folger Consort, though it needs to be massaged to fit properly (the CD is AABx4, where it needs to be AABBx3 (or so)
	Track 2 (2nd in the medley) of The Food of Love by various artists - again, AAB, needs to be AABB (and extracted from the medley)
Part 1
Verse 1, Part A
1:	Lead up [a double]
2:	[Fall back a double]
Verse 1, Part B
1:	Lead up [a double]
2:	[Fall back a double]
Chorus 1, Part A
1:	The first and last men set to their partners
2:	then the first man sets to woman 2, while the last man  sets to woman 3
3-5:	Then the first man and the two lowest women [3 and 4] hey, with the first man ending up in the last man's place, with the last man doing the same with the top two women [1 and 2] and ending up at the top
Chorus 1, Part B
	Reverse it all to end up back where you started:
1:	Last and first men set to the first and last women,
2:	then to the next (2nd and 3rd)
3-5:	Then hey with the two women not yet danced with, to end up back at the top (or bottom) of the line
Part 2
Verse 2, Part A
1-2:	Side [left to line up right shoulders]
Verse 2, Part B
1-2:	Side [right to line up left shoulders]
Chorus 2, Part A
1:	The first and last woman set to their partners
2:	Then to the next down or up (1st to 2nd man, 4th to 3rd man)
3-5:	And hey with the two men not danced with yet, remaining at the bottom or top as appropriate
Chorus 2, Part B
1:	The last and first women set to the first and last man
2:	Then to the next down or up (4th to 2nd man, 1st to 2rd man)
3-5:	And hey with the two men not danced with yet, remaining at the top or bottom as appropriate
Part 3
Verse 3, Part A
1-2:	Arm [left (right arms, walk left)], or "halfe turne" - a variation on arming?
Verse 3, Part B
1-2:	Arm [right (left arms, walk right)], or "halfe turne" - a variation on arming?
Chorus 3, Part A
1-5:	As in Chorus 1 (men setting down or up and heying)
Chorus 3, Part B
1-5:	As in Chorus 1 (men setting up or down and heying)
Note:	The dance instruction ends with "and soe on as you please" - is this an invitation to continue doing the dance over and over until you've had enough, or just a general sign-off that Lovelace (or Pattricke) used?
Comparison to the Playford version (version 1, 4th to 10th editions)
	These two versions are (as best as I can tell) identical save for 1 piece - the "halfe turne" of the 3rd verse.
	Interestingly, the last chorus seems to indicate that the dance is intended to be done multiple times with different people as the active first and last couples:
	"Cast of and meet below" (at least, that's how I would interpret the instruction, even though it is given after an "or" that may actually be some other word I can't make out on the facsimilie).
Conclusion:
	Exactly the same dance with only the minorest of variation.